Alastair\'s Blog

Posts Tagged ‘Bollinger’

Pink champagne

Tuesday, January 26th, 2010

Some people love it and some not;  I am in the love category.  A great luscious rose with Personalised pink champagne ordered by a client as wedding thank yousplenty of fizz, dry but not bone dry - perfect.

Love it so much, in fact, that we had it at our wedding reception - with our own personalised label of course - twelve years ago;  pioneers then as most quaffers only knew Laurent Perrier as THE rose champagne.

But the World has changed;  all the big houses produce pink and some of the biggest brands have uber-premium vintage rose - think Veuve Clicquot Grande Dame rose - that is also uber-costly - £200+ as opposed to under £100 for the GD white 1998!   Bollinger introduced their special pink to the market in 2008.

So what’s the difference?  The usual vintage/non-vintage distinction applies, as does the blending process (different grapes and vineyards).   Principally but obviously it is the colour:  the old way of production was to macerate the skins of the black grapes - ie. allow the colour to bleed out into the pressing and then use this in the blend.   The more modern way is conventional blending - adding still red wine (pinot noir normally) to the white blend at the time of bottling.

The paler more blush coloured pinks are typically from the maceration technique and to my mind are usually softer and more approachable.  Just a personal opinion, though.

Either way, rose champagne is perfect for a special Wedding day, perfect for Valentine’s day, perfect for Mother’s day and equally perfect for every day;  enjoy!

Champagne Ayala

Wednesday, November 11th, 2009

ayalazdFascinating yesterday evening to meet Herve Augustin, President Directeur General of Champagne Ayala, at a private masterclass tasting of his champagnes.

Ayala is an old Champagne House (Maison de Champagne) founded in 1860 that for the last couple of decades had somewhat lost its way.  Neighbouring Bollinger and Raoul Collet in the Grand Cru (pinot noir grape) village of Ay just outside Epernay, potential and history were aplenty;  reputation and direction maybe needed to play catch-up.

All that changed in 2005 when Bollinger bought the business.  Herve came across from Bollinger and brought vision and experience to Ayala.  His brief from M Montgolfier (patron of Bollinger) was not to reproduce Bollinger next door, but rather to do something completely different.  This he has done.

“Zero dosage” (no additional sugar) or “Nature” (natural) is the new hallmark of the house.  In typical non-vintage Brut (dry) champagne, there is up to 15g of sugar per litre added as dosage (special mixture of sugar and reserve wine) to top up the bottle and tweak the style at the end of the production process - when the bottles have been brought up from their aging and second fermentation in the cellars and disgorged (had the seal and yeasty sediment removed).  To go for zero dosage (ie. absolutely no sugar at all) is brave.  Herve believes it brings his champagnes into focus as premium quality wines where the quality and origin of the grape becomes the over-riding and single most important factor in the taste;  the significance of terroir featuring again!

I agree.  Herve is a pioneer;  he has zero dosage non-vintage, vintage and rose.  His champagne are scrummy, elegant and very well made but they are quite distinct.  More of a considered glass than a straightforward quaff.  I believe these are champagnes for the real connoisseur.

My favourite of the evening!

The principal benefit to Bolllinger for buying Ayala, I suspect, is quality.  Bollinger have a fabulous reputation with the best winegrowers in the region across all the Premier and Grand Cru villages.  To save reneging on grape purchase contracts from these super vineyards, Bollinger can divert any surplus grapes across to Ayala so that Herve & Co have the very best ingredients to work with - hence the zero dosage policy.

Herve believes it will take a generation to revive the reputation of Ayala.  In the meantime, his champagnes are effectively subsidised in price while the brand and style become established in the UK.  If you can, buy some!  My favourite was the Vintage 2000 (Perle d’Ayala) and it was really very good - with a cheeky 7.5g of sugar at dosage just to polish up the roundness.

We don’t sell Herve’s champagne (should we?) but I know a man who does if you are interested…  Sorry for all the technical speak but I hope you can navigate through.  Any questions, please ask!

Ayala produce only 700,000 bottles across all their cuvees in a typical year and purchase 95% of their grapes from winegrowers, with a dominance towards Premier and Grand Cru quality.

Farming - the non-vintage way

Wednesday, October 14th, 2009

And why am I covered in this grubby dust sheet?

Farming is diverse.  I am a farmer (Highland Cattle), I have friends who are farmers and our champagne producers are also farmers.  Like me, they nurture and grow their raw material (grapes), at the mercy of the elements and making best use of their natural resources.

Terroir helps explain the unique characteristic of wines due to the location (orinetation, soil, micro-climate, etc.) of the vineyards where the grapes grow;  by unique I mean what makes, for example, chardonnay from ‘hill one’ so different to chardonnay from ‘hill two’.  It is this individuality which is exacerbated in the production of champagne since there are so many elements to be blended together to make the perfect wine and maintain a house style.

Obvious question: how come many of us have a favourite champagne that we chose year after year, notwithstanding that the raw ingredients are so different from year to year depending on the weather and harvest?

Simple answer - the skill of the blender.  The blending of non-vintage champagne allows the blender or oenologist the opportunity to create a “house style” for their champagne and to mostly replicate this year after year.  Remember: non-vintage champagne is a blend of both vintages (years) and grapes.

Now if champagne was produced every year from that year’s harvest as happens for most other wines - in other words, if we had vintage champagne every year - then it would be much more difficult to have a “house style” as the vagaries of individual harvests would have such an impact on the end wine;  the blender would not have the opportunity to use wines from previous years (up to 20 years in the case of Nomine) to recreate the bubbles of familiarity.

Every year’s harvest is unique and unique harvests give the ingredients for unique wines;  in 2003 Bollinger grasped this opportunity and produced a fabulous but highly unusual vintage champagne which reflected the astonishing weather (and thus harvest) that year.  Try some if you can find some - only a few thousand bottles were ever made.

So, we breed highland cows and then we sell them; some for breeding stock, some for pets (?!) and some for arguably the World’s best beef.   Often other people complete our job to produce the end product.   In champagne terms, we are the wine grower.  Some champagne houses, including some of the very best known, are the people who finish the champagne job - the wine makers.

Claude Nomine and his family are that special and sadly fast disappearing breed of recoltant - both wine grower and wine maker;  they see the process through from vine to wine.  That explains why we love dealing with them and why we love their champagnes.  They control every aspect of production and this is reflected in the quality of the wine;  that is why the personalised champagne we offer is so good - because it is well made and delicious!

Just occasionally, however, we are not the bovine equivalent of wine grower.  Instead our animals are inadvertent but willing “celebrities”.  Bovril are hosting a competition to invest in refurbishing the Great British outdoors.  Although none of our animals head Bovril’s way for their beefy beverage, we were thrilled when they asked if they could borrow one of our beasts for their photo shoot - although a bit bemused when they also asked if they could drape a used decorator’s sheet over her and take photos by the only broken gate on our farmland…  I loved it!   The cow did too… not sure,though, that Nick did as he was crouched behind the cow keeping her steady for nearly three hours during the shoot…!

I don’t think there is a champagne producer category for this type of farming activity!  Maybe, though, there is something here for Davina McCall to look into when the Big Brother series finishes in 2010?

@ThisisDavina (Davina McCall)

@nonvintage (me)